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The film contains some real-world footage and often slips into documentary-like visuals - the colors look as natural as possible, and the camera sometimes shakes as if we were really following these two men around. Benedict’s faith and inflexibility have, by contrast, isolated him. Benedict’s gardener gifts Bergoglio with herbs when he leaves the summer residence, a gesture that Benedict’s surprise suggests he has never been offered, himself. Bergoglio makes friends wherever he goes, stopping into pubs to watch soccer games and forgoing the cardinal’s uniform for less formal garb. This odd couple dynamic becomes more affecting as the two men work through, or at least try to understand, their opposing stances, and the effect their chosen paths have had upon their faith. When, in 2013, Bergoglio is summoned to the papal summer residence to speak with Benedict - Bergoglio wishes to discuss his retirement, while Benedict wishes for Bergoglio to succeed him as pope - that relationship seems to remain unchanged. In the bathroom, Benedict, then Joseph Ratzinger, asks Bergoglio what hymn he’s whistling.

When the film begins - in 2005, during the papal conclave which elects Benedict - the men of the cloth cast uncertain looks at each other, as votes put Francis, then Cardinal Jorge Mario Bergoglio of Argentina, in second place. Meirelles isn’t interested in the history of the church so much as the push and pull between two seemingly incompatible men.īenedict is resistant to change, while Francis believes it necessary. It’s impossible to talk about the Catholic Church without also talking about sexual abuse and financial misconduct, and though the topics are touched upon, they’re quickly glossed over.

The same goes, roughly, for The Two Popes a docudrama directed by Fernando Meirelles ( City of God, The Constant Gardener) about the passing of the torch from Pope Benedict XVI (Anthony Hopkins) to Pope Francis (Jonathan Pryce) in 2013.

Robert Downey Jr.’s Sherlock Holmes and the recent Child’s Play reboot both surged towards brilliance as they found fresh takes on well-known material, then fell prey to sticking to the material.

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What do the two popes of Netflix’s new film The Two Popes have in common with Sherlock Holmes and a murderous robot doll? Great stars, and unfortunately, an inability to break free of source material that doesn’t matter all that much.